Michael Freed

The Penis Show Series
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This is a series of works I debuted at the Center for Contemporary Arts in Santa Fe in November of 2008.  It is a conceptual show based on my thoughts about the subject of Male Identity which is a recurring theme for me.  I hope to tour this show to a few sites over the course of the next few years.

 (If nudity offends you, exit this page now.)

I have been fascinated by the penis for as long as I can remember.  

In my first college figure drawing class I experienced drawing the nude human form for the first time and was immediately enthralled with the freedom to draw bare flesh and the penis in particular.  While fellow students were drawing the entire figure, I was depicting charcoal “ human landscapes” featuring the penis as the composition’s focal point.

Representational realism over photo realism is my preference from Renaissance masters Michelangelo and Leonardo to later artists like Eakins and Pearlstein.  I love the sensation of working in charcoal with my bare hands, rubbing and smudging, striving for the sensual contrasts between light and dark found in the works of Caravaggio.  

Over the years, first subconsciously then decisively, I began to explore the relationship between my interest in the male nude and larger issues of male identity.  Through books as diverse as Stiffed; The Betrayal of the American Man by Susan Faludi and A Mind of It’s Own; A Cultural History of the Penis by David M. Friedman, I have pursued the theme of what being a “man” means.

Through most of history the penis was depicted openly and freely across most cultures around the world.  From cave paintings to Egyptian tombs, Native American hieroglyphs to Hindu temples, and Greek vases to Roman statuary, the penis was an object of reverence, spirituality, and devotion.  But after the fall of Rome, a new era of systematic suppression and even demonization of the penis prevailed and continues to this day.

The resulting absence of the phallus in our culture has had consequences to our society. Ideas of masculinity and our collective definition of what a “man” is are intertwined in this suppression.  Through our abolition of the natural male member, we have simultaneously given it more power in our psyches than it merits and made it an object of emasculated impotence.  It is no wonder the “American man” is struggling with a sense of identity and “place”.

It is time for a paradigm shift in male identity in our society and part of that involves lifting the ban on images of the penis.  It is time to raze the ridiculous metaphors we substitute for the phallus and stop dancing around the very thing that defines the male gender.  This series is my way of inviting some of the conversations that are missing in the dialogue we need.

"My Gun I"
MyGunIdb.jpg
24x24" charcoal, photocopy transfer on panel.
"My Gun II"
MyGunIIdb.jpg
24x24" charcoal, photocopy transfer on panel.
"My Banana"
MyBananadb.jpg
24x24" charcoal, photocopy transfer on panel.
"My Drill"
MyDrilldb.jpg
24x24" charcoal, photocopy transfer on panel.
"My Cigar"
MyCigardb.jpg
24x24" charcoal, photocopy transfer on panel.
"Spear"
MySpeardb.jpg
24x24" charcoal, photocopy transfer on panel.
"Hard Candy"
HardCandydb.jpg
24x24" charcoal, photocopy transfer on panel.
"My Missile"
MyMissiledb.jpg
24x24" charcoal, photocopy transfer on panel.
"Extension"
Extensiondb.jpg
24x24" charcoal, photocopy transfer on panel.
"Cannon/Canon"
Cannondb.jpg
24x24" charcoal, photocopy transfer on panel.
"Wiener"
Wienerdb.jpg
24x24" charcoal, photocopy transfer on panel.
"Snake"
Snakedb.jpg
24x24" charcoal, photocopy transfer on panel.
"Boner"
Bonerdb.jpg
24x24" charcoal, photocopy transfer on panel.

Artist's Statement

Michael Freed • m.freed.sf@gmail.com